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90's Music Spotlight: Timeghoul, The American Zeitgeist
By tomcat ha on March 5, 2010 3:02 PM | Permalink | No Comments
Timeghoul is the direct English translation of the word Zeitgeist. Zeitgeist means spirit of the age in German. This band was not a spirit of its age, yet it still captures a lot of what made death metal great back then. This band was founded in 1987 under the name Doom's Lyre and changed their name to Timeghoul in 1991. This band released 2 demo's under the Timeghoul name; the first, Tumultuous Travelings in 1992, and the second, Panaramic Twilight in 1994. After releasing these demo's they split up. A sad loss considering how far ahead of its time Timeghoul was.
Read on for a somewhat more in depth look at Timeghoul and a interview with Mike Stevens.
Continue reading 90's Music Spotlight: Timeghoul, The American Zeitgeist.
Our Culture is Shit: Brokencyde
By Dennis Wyman on February 19, 2010 2:21 AM | Permalink | 4 Comments
However, Brokencyde deserves more than that as an explanation of their work, as they are, in fact, a startling textbook definition of everything that is currently sickening about American culture as we know it. Brokencyde isn't one of those bands that are popular despite being absolutely terrible. Rather, they are more of a lens into the current state of society. And when you look through that lens, you begin to lose all faith you might have had in humanity. So to begin this diatribe, lets all start with the video for "40oz" as a reference point.
Continue reading Our Culture is Shit: Brokencyde.
90's Music Spotlight: "Exile on Coldharbour Lane" by Alabama 3
By Dennis Wyman on January 31, 2010 11:13 PM | Permalink | No Comments
Their debut album, Exile on Coldharbour Lane, was released to very little fanfare in 1997, and even after having (a heavily edited and butchered version of) the track "Woke Up This Morning" featured in the Sopranos, still failed to gain the British house group much attention on American shores. However, those that looked into the band discovered an amazing gem in Exile.
Continue reading 90's Music Spotlight: "Exile on Coldharbour Lane" by Alabama 3.
Postmortem: "Watershed" by Opeth
By tomcat ha on January 11, 2010 8:19 PM | Permalink | No Comments
Of course these are all things that say little about the actual music. Watershed is the 9th album by Opeth, it follows the at times brilliant yet often lacking Ghost Reveries. Ghost Reveries had another big problem, over production. Most of the metal fans kind of lost interest in Opeth if they already were fans because of this and the gradual reduction in overall album quality. In general their most praised period is that of their first 5 albums, and I think that is with good reason. Opeth more recently has become rather stale with less songs that just spring out and make me go, "This is great." There certainly have been improvements; Mikael Ã…kerfeldt's voice has improved in both grunt-wise and clean-vocal-wise. While all in all this means that Watershed is a important album, will they be able to produce a album that features more good songs instead of interesting ideas? Will they try something new other than their standard fare of intersecting death metal parts with clean parts of progressive rock and various other genres? Will they go follow the Bolt Thrower/Running Wild route and just follow on the same path but improving upon it, or will they deteriorate further?
Watershed has been out for close to 2 years, which means I can look at it from a rather post-hype perspective, while giving it enough time to sink in and thus get a better judgment. This is important with any metal album as they do take longer to digest than say a pop album, unless if its St. Anger of course.
Watershed from the first moment its already clear that they fixed one of the main issues of Ghost Reveries, this is not a overproduced album. Yes its still very clean sounding, but without the complete sterility of Ghost Reveries. Every instrument sounds full and powerful. The mixing also is also well done. The bass could use a slight boost, but as it is it works nice. The keyboards are more in the background compared to Ghost Reveries. This is a good thing. Yet this album still sounds somewhat tiring to listen to.
Continue reading Postmortem: "Watershed" by Opeth.
90's Music Spotlight: Deconstruction
By Dennis Wyman on December 8, 2009 4:28 PM | Permalink | No Comments
Deconstruction stands in stark contrast to the efforts put out by the efforts put out by their former Jane's bandmates in Porno For Pyros, starting with the intentions behind the two groups: Porno was Farrell's new career vehicle, while Deconstruction was an intentional one-off outing.
Musically, the two halves of Jane's couldn't be farther apart either. Whereas Porno was a more relaxed affair fueled by an almost sexual energy, Deconstruction was raw and schizophrenic. Powered by the soaring guitar work of Navarro and Avery's mastery of the bass spectrum, Deconstruction threw conventional song structures out the window and took the listener on a breakneck tour of L.A., barely stopping for breath until the end of the 71 minute album.
Continue reading 90's Music Spotlight: Deconstruction.
ZeldaInformer Gives Their Favorite Zelda Songs, We Give Our Favorite Soundtracks
By Dennis Wyman on November 22, 2009 12:05 AM | Permalink | 1 Comment
However, to narrow an entire series' worth of musical work down to 10 measly tracks is a grave injustice, which prompted me to come up with my favorite soundtrack albums. Like most musical works, individual tracks can always shine bright, but how does the game's entire soundtrack fare as a whole? True, I have been spoiled by the advent of album-oriented rock and concept albums, where the sum works out to be greater than the worth of the individual pieces.
So in no particular order, I present Zangaroa's Top 3 Zelda Soundtracks, after the jump.
Continue reading ZeldaInformer Gives Their Favorite Zelda Songs, We Give Our Favorite Soundtracks.
Postmortem: "Demon Days" by Gorillaz
By Dennis Wyman on November 17, 2009 4:23 AM | Permalink | 1 Comment
Unlike its predecessor, Demon Days is a far more serious outing, both musically and lyrically. A very concept album loosely centered around a scathing critique of Western society, Demon Days is a much more thought-provoking release, underlit with themes such as commercialism, greed, war and isolation. And I do say "loose," as there is no underlying story or narrative here, with many of the lyrics intentionally left vague and open to interpretation, as if inviting the listener to think heavily about what was just said.
However, it's the musical composition, courtesy of Albarn's trade of previous producer Dan the Automater for new producer Danger Mouse, that holds the theme together. The j-poppy happy-go-lucky hip-hop arrangements of the first Gorillaz outing aren't quite out, but rather have gone through a complete overhaul, coming out the other end an even more eclectic mix of electronic beats and drum and bass rhythms peppered generously with so many guest artists it will make your head spin. In fact, one only has to watch the companion DVD release, Demon Days: Live At The Manchester Opera House to see the true complexity behind the album at work. Albarn and Danger Mouse are more the background ringleaders of a musical circus, more or less coordinating the efforts of dozens of contributors, taking the Gorillaz far beyond their initial scope of "virtual band with a guest-starring rapper now and then." It is this borderline-orchestra that keeps the album treading new ground with each track, never repeating itself but at the same time staying close to the aforementioned lyrical themes.
Continue reading Postmortem: "Demon Days" by Gorillaz.
VGM Flashback - Afterlife
By Dennis Wyman on October 2, 2009 8:55 PM | Permalink | No Comments

Much like any child of the 90's, I grew up with a Windows 95-based PC. In my case, it was a junky old Packard Bell donated to my family by our uncle, which included a ton of old DOS and Windows games that have been long since forgotten by the general gaming press. Sure, everybody remembers SimCity, Wolfenstein and Doom, but who here can honestly remember Afterlife? (Discluding readers that know of it through my rants in the chat and message boards.)
Afterlife was a quirky SimCity-esque game that had a novel idea: Instead of managing a city, Afterlife had you manage a heaven and hell instead. In practice, this idea worked quite well, and dispite a handful of minor gameplay flaws, remains one of my favorite games from the heyday of LucasArts in the 90's.
However, a game review is beyond the scope of this article, as I specifically wanted to focus on the soundtrack. A mix of strings, synthezised choruses, and overwhelming far- and middle-eastern influences, Afterlife's backing music is best described as peacefully haunting, with an almost spiritual vibe, which given the subject matter of the game was just all too fitting.
Anyways, enough of the banter. Check out some sample tracks after the jump.
Continue reading VGM Flashback - Afterlife.
90's Music Spotlight: The Presidents of the United States of America
By Dennis Wyman on September 22, 2009 12:50 PM | Permalink | No Comments
Of course, most of our veteran readers recognize The Presidents as "those guys did 'Peaches,'" that additively-catchy ditty we embedded on our forums awhile back to much critical acclaim. Good times.
The Presidents stood out from a surrounding music scene that celebrated depressing and brooding lyrical content, by being outright silly and weird. Sure there's some merit to their goofiness, but the lyrics to "Peaches" take on more meaning when contrasted to hits from their Seattle peers such as "I Hate Myself and Want to Die."
Anyways, enough with the reminiscing. Flash back to 1995 with some tracks off their debut album, The Presidents of the United States of America, after the jump.
Continue reading 90's Music Spotlight: The Presidents of the United States of America.
Dear America: Please Shut Up About Kanye West Already
By Dennis Wyman on September 15, 2009 3:47 AM | Permalink | 2 Comments
What are we bitching about now? I guess he took the microphone from some whore during the MTV Video Music Awards (commonly referred to as the "VMAs" in the industry) during her acceptance speech after recieving her award or something. Yeah, that's pretty much it.
Granted, I hate Kanye West as much as the next angry blogger on the internet. The man has made his career off of being an asshole and attention whore, especially when it comes to the VMAs. This is the same man who was bitching and whining on-stage a few years ago that he didn't win a VMA. Keep in mind these awards are from MTV, whose movie awards a few months ago were swept by Twilight and High School Musical 3, which should immediately say something about how credible MTV's opinion about anything is.
So why do we care? What makes this relevant to our daily lives? Or is this simply another display of our society's infatuation with celebrity culture?
Oh wait, duh.
Continue reading Dear America: Please Shut Up About Kanye West Already.
Album Review: Before the Frost/Until the Freeze by The Black Crowes
By Dennis Wyman on September 5, 2009 1:54 AM | Permalink | No Comments
However, Before the Frost (and its companion album, Until the Freeze) is a much more daring adventure: A double album full of all-new material recorded in front of a live audience at Levon Helm's barn studio. That's right, a live studio album. And the Crowes' pull it off with a rugged style shaped by their rocky 20 year career.
Continue reading Album Review: Before the Frost/Until the Freeze by The Black Crowes.
Album Review: Halo 2 OST, Volume Two
By Dennis Wyman on August 28, 2009 2:31 AM | Permalink | No Comments
Earlier last night I wrote about Volume One of the Halo 2 Original Soundtrack. Last I left you, I was slaving away during a long night of work, re-acquainting myself with a handful of long-neglected video game soundtracks. Being that it is a long night and modern MP3 playback technology lets us queue up entire playlists of albums, needless to say I've been listening to quite a bit of music tonight. And so, I have for you my thoughts on the second half of the Halo 2 soundtrack, Volume Two, after the jump.Continue reading Album Review: Halo 2 OST, Volume Two.
Album Review: Halo 2 OST, Volume One
By Dennis Wyman on August 27, 2009 9:30 PM | Permalink | No Comments
While working tirelessly tonight on other projects, by chance I happened to switch audio players back from Foobar2000 to iTunes. Why do I use both? Simple; I use Foobar for my main "traditional" music library, while iTunes manages my meager video game and movie soundtrack library. While that is all beside the point of this article, I felt it was an excellent starting point because needless to say, I leave Foobar running much more often than iTunes, and oftentimes I'll find myself rediscovering a soundtrack that I haven't listened to in months, or sometimes years. And that was the case tonight with the Halo 2 soundtracks, the first of which I have summarized my thoughts on, after the jump.Continue reading Album Review: Halo 2 OST, Volume One.
90's Music Spotlight: The Infinity Project
By Dennis Wyman on June 7, 2009 1:45 AM | Permalink | No Comments
So, every so often I stumble across some really obscure act from the 90's that really just deserves some sort of attention. So hey, new recurring feature? Who knows!
Anyways, a few weeks back a friend of mine introduced me to The Infinity Project; an obscure and almost unknown psychedelic trance band that was briefly active during the early 90's. While largely forgotten, some electronic music fans may recognize one of the contributing members, Raja Ram aka Ronald Rothfield, who has gone on to have a mildly successful career as the owner of the TIP World record label, as well as continuing to put out his own solo efforts and collaborations with other artists.
There isn't much to describe The Infinity Project with, other than pure psychedelic ambiance with strong Indian and Middle Eastern influences. If you enjoyed the soundtracks to games such as Metroid Prime or the Spirit Temple theme from Ocarina of Time, then The Infinity Project may very well pique your interest.
That said, enjoy some picks from their 1995 album, "Mystical Experiences" after the jump.
Continue reading 90's Music Spotlight: The Infinity Project.
VGM Flashback - Plok
By Dennis Wyman on May 9, 2009 4:33 PM | Permalink | 3 Comments

Today we dust off an old VGRC feature, and what better way to (re)start things off than with one of my personal favorite game soundtracks: Plok for the SNES.
While at its release (and, really, ever since) Plok
has been continually overlooked by the majority of the gaming community
and press, those who stumbled upon and took the time to play this gem
were immediately struck by one of the most original, and dare I say,
complex, soundtracks in a game on the Super Nintendo. Composed by none
other than the legendary Tim Follin, individual tracks would oftentimes stretch out to 4 minutes before looping, leaving lots of room for Follin to play.
The end result was a series of complex multi-layered tracks with
constantly shifting and changing sounds. In 1993, this was some very
impressive stuff.
Continue reading VGM Flashback - Plok.
Interview with Stemage of MetroidMetal.com
By Dennis Wyman on August 11, 2006 10:49 PM | Permalink | No Comments
Continue reading Interview with Stemage of MetroidMetal.com.
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Recent Entries
- 90's Music Spotlight: Timeghoul, The American Zeitgeist
- Our Culture is Shit: Brokencyde
- 90's Music Spotlight: "Exile on Coldharbour Lane" by Alabama 3
- Postmortem: "Watershed" by Opeth
- 90's Music Spotlight: Deconstruction
- ZeldaInformer Gives Their Favorite Zelda Songs, We Give Our Favorite Soundtracks
- Postmortem: "Demon Days" by Gorillaz
- VGM Flashback - Afterlife
- 90's Music Spotlight: The Presidents of the United States of America
- Dear America: Please Shut Up About Kanye West Already